I was particularly happy with the way the cat's sequence worked out. Cats have always been tricky for me:
Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts
Friday, November 15, 2013
Sequential Art, Part 2: Story boards...
I'm rounding up and will continue posting selections from storyboards I've worked on from assignments, supplied scripts, or just threw together for practice and/or enjoyment.
I was particularly happy with the way the cat's sequence worked out. Cats have always been tricky for me:
I was particularly happy with the way the cat's sequence worked out. Cats have always been tricky for me:
Sequential Art, Part 1: Animation...
Considering how much of a role my early dreams of being a cartoonist/sequential artist played in my chosen career, I thought I'd upload a few examples from those areas (Comics, animation, storyboards, etc...) that I realize are a bit under-represented here
Starting with Animation: I was brought on board at Film Roman in the summer of 1997 to be a Character Layout artist for the second season of King of the Hill. My job was not quite to be a full-on animator, but to illustrate the key frames for characters in assigned sequences. I worked on a lot of scenes over I think six episodes in seasons 2 and 3. I wish I had the presence of mind to copy more of the scenes at the time, but I at least have these to share. The workload was massive but if you could get the flow, it became an excellent training ground.
Here is a scene of Khan trying to be "neighborly", in his usually condescending way:
Starting with Animation: I was brought on board at Film Roman in the summer of 1997 to be a Character Layout artist for the second season of King of the Hill. My job was not quite to be a full-on animator, but to illustrate the key frames for characters in assigned sequences. I worked on a lot of scenes over I think six episodes in seasons 2 and 3. I wish I had the presence of mind to copy more of the scenes at the time, but I at least have these to share. The workload was massive but if you could get the flow, it became an excellent training ground.
Here is a scene of Khan trying to be "neighborly", in his usually condescending way:
Traditionally, an animator "specializes" in a specific character but the process
at that time had us illustrating whoever happened to be in the scene. That said, I found that I always enjoyed working on poor old Bill:
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